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Showing posts with label character. Show all posts
Showing posts with label character. Show all posts

The Best Writing Advice I'd Ever Received

Dear readers,
I'm on the home stretch for completing this novel and I'm so excited to announce that it will be part of a series or saga. I much prefer the term 'saga', because it sounds more epic. The problem is I can't seem to come up with a series name yet. (I'll address those concerns later on in the post.) Although, I do have several other books in mind for the saga, The Earl's Son is actually a sequel to another book I wrote years ago.

This Victorian Era saga is about an aristocratic family who are victims of political strife. There is action, suspense, revenge, mystery, deception and above all, romance. I hope you enjoy the novels as much as I do writing them.

My theme for this post is: What is the best writing advice you've ever received?
Believe it or not, after years of talking to other writers, joining workshops workshops, and participating in a critique group, I've heard a lot of great advice on writing. One such recommendation came from none other than my fiance who reads a lot of Fantasy (Jim Butcher, Tracey Hickman/Margaret Wies, etc.) Our relationship involves a lot of conversation and despite his inexperience in my genre, I read him what I've written for the day in hopes to receive an opinion that sticks. So often he'd repeated a phrase which never left my mind. I think about it a lot when I write.

The words I remember most from him were...
Don't underestimate your readers.

It's true. Readers know more than they admit. Of course, a writer could give a whole history lesson on farming (like I did in To Love An Irishman), but it's really hard to avoid describing things that are relevant for a topic without thinking your reader will find the content boring. In my current project, I have several fight scenes where I describe my hero using martial art styles. You'd think most women reading romance novels wouldn't know the actual names of these moves...so, I describe the process. My fiance encouraged me to be more descriptive and hold less back in my writing.

Don't be afraid to open up to your readers. After all, they want the whole experience your novel gives them.
Including, the parts you think are boring.
Description and details go along way. Use them to your advantage.


Please feel free to share your advice in a comment below. Oh, and if you also have recommendations for naming a series or saga, then share those, too. Thank you for reading!



Happy writing!
Diva J.
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Writing and Music Are Acts of Love

When I feel unmotivated, I turn to music. When everything in the world seems to go wrong, I put in my favorite CD and let the melody show me the magic in the air. Although, I'm a very big fan of punk rock, specifically alternative, I listen to more and more instrumental lately. Of course, my guilty pleasure is Celtic music.

Today, I needed an intervention. I awoke early and for some reason couldn't move myself into action. I had emails piling up, content to write and other miscellaneous tasks to perform, including the creation of this blog.

From left to right: Button Accordion, Bodhran, Fiddle,
Concertina, Guitar, Flute, and Uilleann Pipes.
As I listen to Ronan Hardiman's: Michael Flatley's Lord of the Dance soundtrack from the actual production, I think about my family. I haven't seen anyone in my immediate family for a few years now. Listening to this music, reminds me of my grandma who took me to the show. Her birthday was today and for some reason I feel her presence all around me. It's like she never left. In fact, she just moved closer to where I live. I remember watching the Lord of the Dance with her and afterwards, we hailed the attention of the Irish dancers (especially, the gorgeous male lead). They were friendly and we told them how great the show was. They offered their 'thanks' and went toward their hotel rooms. I've been listening to the CD ever since and I can't get enough of the lively feeling I get from all the instruments. It inspires me to live happier, to lapse back into time and imagine a peaceful world.

Ireland is rich in literature that understands a soul's yearnings, and dancing that understands a happy heart. 
– Margaret Jackson


In my novel, To Love An Irishman, one of the main things that bring the couple together is Celtic music. The ceili, or group of musicians--traditionally, up to ten (called a band) who specialized in creating music for dancers--arrive and Ciaran cannot wait to show Aveline how to do an Irish jig. Drums, fiddles, flutes, and pipes are what they're most known for. Some modern bands now include guitar, piano, saxophone, snare drum with woodblock, double bass, piccolo, and even banjos. These bands gained wide popularity during the 1950s/60s. Ceili bands gain promotion through competitions and festivals still going on today.


If I ever get to visit Ireland, I intend to embrace the Celtic folk music scene.


Music helps me write by:
--Setting the mood, tone, or scene of my novel.
--Opening my mind to more creativity.
--Taking me away to a different time and place where all anyone had to tell a story with was an instrument and a voice.


Do you have a passion for music? What kind of music inspires you to write? Feel free to leave a comment below. Thank you for reading!



Happy writing!
Diva J.
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Find Your Author's Voice And Don't Let It Go

Hello, readers! I just wanted to let you know that this will be another short post. For this, I am sorry. I would really like to get back to giving more detailed writing craft tips with examples, but I've been so busy with wedding planning, college starting, and of course, finishing my work in progress.

Today, I'd love to talk about voice. Unlike what the cartoon suggests, your author voice is not spoken aloud. It is what makes your novel unique. Our influences contribute at least 50%, but what carries your words is actually YOU. There are exercises you could use to help you along, if you still don't think your author's voice is developed enough. No matter what you choose to do in any situation, just be yourself.
Isn't this what I preach all along?

Here are some helpful tips on establishing your voice as an author:
-Write poetry.
-Transcribe conversations you can overhear in public places.
-Copy a couple of pages from a scene by a writer you most admire.
-Write a lot!
-Use music (or whatever else gets your creative juices flowing) to get the words out.
-Know your characters. (Remember the interview I did with the hero from To Love An Irishman, Ciaran O'Devlin?)
-Learn how to self-edit.
(For more information on author voice, please visit this site: Finding Your Voice)


Remember, these tips are intended to help you. Every one has their own method for success. Would you like to share your way of discovering your author's voice? I'd love to hear it in a comment! 


As always, thank you so much for reading.



Happy writing!
Diva J.
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Show Me Your Ways

In a time when actions don't speak louder than words, we tend to overlook many important reasons why description is so important to our existence. Of course, our thoughts portray so much more than what we say. Now a days people prefer electronic communication (phone, email, etc.) instead of writing a letter. Although, I'm not going to go into the history of written correspondence, I will tell you that we are not as challenged as we were then. Now all it takes is a laugh or a smiley face to know someone is happy.

Click on the picture to watch a quick writing lesson!
Today, I watched a silent movie. The Phantom of the Opera (1925) to be exact. I think watching these types of movies are great for actors and writers a like. Not only are you required to read something on screen, but it's really hard to be a terrible performer when you don't have dialogue to back you up. Without it, you know exactly what the actor is thinking and feeling through their...you guessed right...actions!

My favorite ways to SHOW are:
-Through dialogue.
-Through setting or character description.
-Through using all five senses.

My favorite ways to TELL are:
-Transitions through scenes.
-Interspersed back story.
-Through dialogue.

The great thing about dialogue is that you could use it for both telling and showing. In a sense, writing a narrative is telling a story, but don't bore the reader. Remember, we want our characters to be memorable. Show your readers their world.

Thank you for reading! How do you use show vs. tell in your novels?






Happy writing!
Diva J.
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To Be Or Not To Be Continued...

Since we all read last week how I write with passion, now you have a chance to learn how I add spice to my novel.  Yes, I call suspense/conflict the flavor ingredients, because they are integral parts of your book's recipe. We all know the four parts of a book: The set-up, the response, the attack (I call it rising action!), and the resolution. For movies with three acts, the response and the attack are combined, and this second act is called the confrontation. (You could read more about this on Storyfix.)

I love reading and learning my craft. Writing romance is so exhilarating, but sometimes I like to research another genre so I could improve my own writing and add a little flavor. I think when you look outside the box, you experience another perspective you might not have noticed before. In my most recent works, you'll notice how I sprinkle just enough suspense in to keep my readers interested.

Here are 5 ways you can add suspense in your novel:

Probably one of the most iconic suspense tactics.
1) Use time to your advantage. When I say time, I'm not talking about how long it takes you to write. What I mean is utilize the time in the story for the benefit of the reader. A protagonist shouldn't succeed at his goal in the specific time-frame you gave him, because if he did accomplish the goal, the story would be over. In my work in progress, The Earl's Son, Lord William has less than 24 hours to reach London in order to get his son back from his captor. If he achieved that goal in the beginning of the book, I would have to come up with something else to keep the reader interested. Which means more work for the writer. Just let the story work for you instead. That makes more sense, right?
2) Raise the stakes and keep them high. Life gives us good/bad consequences no matter if we make wrong or right decisions. This also works for your hero/heroine. Without a crisis, or something causing them not to reach their goal, our books would be boring indeed. This is one of my favorite ways to add suspense, because in a way you as the writer are calling the shots. In my novel, there is a carriage crash, a fist-fight, a carriage chase, and a shooting to name a few instances where the tension is raised, but the plot is slowed down when this happens thus causing a complication. Don't hold back on your writing, readers could tell the difference.
3) Include many complications. I know stakes could count as complications, but don't confuse them with the pointy, wooden weapons we use on vampires! Use your antagonist to the greatest advantage. Not only is time against your hero/heroine, but the choices he or she made can create a dilemma. Ex: Alex grinned. All talk, no play, makes the bandits run away. Now that he was free and the woman was favorably shaken, he had two options: Escape, or free her from her controlling brother. From this example we see my hero has a complication. Whether he truly cares about the woman he wanted to free or not, his choice is not going to be easy, because he still has "her controlling brother" (the villain) to overcome first.  
4) Create a memorable villain. Don't make your villain so awful that you'd want him to die off in the first or second chapter. At least, not yet. Drinking, gambling, and bedding wenches is a very mediocre way of describing him in a way where you are disgusted in his habits, but he is worth keeping around. Of course, other genres have different ways of showing their antagonist. Mysteries use a transparent villain to hide who they are until later, while an actual suspense wants you to know who he is right now. I think romance tends to mix the two or at least use either to the greatest advantage in the novel. No matter what you do with the villain, he has to be a worthy enough contender against the hero/heroine. In my work in progress, you find out fairly soon that the antagonist, Oliver Attwood, is the heroine's brother and has a firm dislike for the hero's family. These are givens. Although you know his ties with the hero/heroine, this does not set him apart from anyone else. You learn his intelligence and motivation later on. This makes him memorable. (Don't worry, women can be villains, too!)  
5) Create a memorable hero/heroine. Make sure he or she is believable. Their cause has to be just or at least redeemable by the end of the story. I try to make my characters as real as possible. Every one experiences death in their life, some lost love or heartbreak, and others have a pension for not experiencing the best childhood. Not everyone is born to fame nor walked through life without facing problems. As compassionate human beings, we tend to feel more sorry for those with hurdles to cross over than those who have it easy. After all, they reflect ourselves. My protagonist(s) inadvertently reflect me. From my work in progress, the heroine's, Rosalind's, past is filled with painful memories of loss. She needs to accept the choices she's made, put away her prejudices against men and the aristocracy, and move on with her life. I'm sure we all hope she'll fall in love with Alex and live happily ever after! But that is another given. What really matters is if she overcomes her problems and grows as a person, right?

Most readers care about the characters' journeys above all. We know a romance will end with a happy ending, we know the villain in a mystery will be discovered at the end, etc. The most important part of a story is how they got there.

Of course, mystery and suspense writers will give you more ways and an even broader insight into suspense, because that is what they thrive upon, but these are the ways I incorporate conflict into my romance. Many of the examples I give you are from my current work in progress, The Earl's Son. You may think I'm giving away pertinent information about the plot, but what I'm actually doing is showing you the spices I use for my recipe, not the main ingredients. ^_~ For more suspense topics not covered here and to read someone else's perspective, please visit: Writers Digest: 9 Tricks To Writing Suspense

When you think you can't, you can. When you think you can, you will. Never give up!
Do you use conflict/suspense in your novels? If so, please feel free to share some of your tips with the rest of us. I do love learning new tricks of the trade. :)



Happy writing!
Diva J.
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Shameless Summer Giveaway Hop



As you know, summer is a great time to relax and enjoy the sun. When the weather outside is hot, I love to have a nice picnic near a river or lake. I love watching the sun's rays dance off of the water's surface while I eat a sandwich, sip a nice cold beer, and enjoy some fresh-cut watermelon.

The farmers in my novel, To Love An Irishman, are no exception. Sometimes the only great place to cool off is in a nearby river or lake.

She is left with an offer she cannot refuse...

Upon his death in 1823, English nobleman, Lord Peyton leaves his daughter Lady Aveline with two choices—stay single and inherit only a small farm in Ireland, where she might just be able to eke out a living, or get married and live in luxury, inheriting all his wealth and property. Fiercely independent, Aveline heads for Ireland only to run afoul of her father’s farm manager, the devastatingly handsome Ciaran O’'Devlin. Alone in a strange country, Aveline yearns for love and friendship, but Ciaran offers only criticism and disdain. Confused and angered by strange visions and her growing attraction to Ciaran, Aveline is determined to make the farm prosper—despite the insufferable Irishman.

He has a secret he cannot reveal...

Ciaran mistrusts Aveline’s intentions and refuses to admit that a willful, English woman now owns the farm that should have been his. Although he insists Aveline should go back to England, he cannot deny their budding passion. Yet, he knows—even if she doesn’t—that nothing will come of it. Not only can’t a poor Irishman marry an English noblewoman, but when Aveline learns of his past, she’ll want nothing more to do with him. Ciaran has always known that each decision carries a consequence, but it’s only when he stands to lose Aveline that he realizes what a heavy price his past decisions may have.


Thank you so much for stopping by! :)

For a chance to win an e-book copy of To Love An Irishman, leave a comment with your email address below. What is your favorite thing to do over the summer?

EDIT: CONTEST IS CLOSED. Congratulations to the winner, Foretta! Thank you to everyone who participated in the giveaway hop. :)



Happy writing!
-Diva J.
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The Rules of Writing With Passion

We've all heard of the movie "The Rules of Attraction", right? Although I haven't seen it, I don't really want to because it's college drama. Not really my thing, you know. So in light of the movie's title though, I've developed ways to add more passion into my work in progress. As I stated before, I am an edit-as-you-go writer, which can sometimes harm and help me at the same time. I make revisions during the writing process. Other people tell me I should just finish the novel before revising it, but the problem is I can't let go until it sounds right. I become an insomniac, just ask my fiance, and I literally stay awake late into the night trying to figure out what to fix in my manuscript. Okay, maybe I'm just obsessed, but you get the idea of what I'm talking about. Hopefully, you can relate some way.

When an author tells a story, no matter if they write romance or not, they are doing what makes them happy. At least, I hope you do what you do for good reasons. I mean we can't depend on the money coming in, and who knows how many people will buy your finished product (if/when you get published), but what we do know is how to make what we write the best. I came up with this plan to add more passion into my work when I was reading someone else's book. The emotion on every page was heightened and the character's seemed to connect through the air. I know this sounds crazy, but it is possible for everyone to make their pages sizzle with words.

The rules of passion I use are as follows...
RULE #1: Don't tell the reader what the person is feeling, but show the reader through dialogue, internal monologue, and long descriptive sentences. You'd be surprised how far a little showing goes.
Ex: When Alex looked in her direction, the air around Rosalind turned warm and comforting like a soft blanket.

RULE #2: When describing a setting, add the right adjectives. Don't just heighten a scene, empower it to sound more compelling. 
Ex: Early morning fog swirled about the damp streets of London.

RULE #3: Use a period or pause to your greatest advantage. They aren't just for showing where sentences end. They work to convey ideas, a character's short attention spans, and add a little bit of flavor. Ex: The woman [Rosalind] had been through so much. Maybe more than he [Alex] had. Her strength was tremendous. He reflected on his own life. His sisters' lives. He couldn't imagine them out on the streets...

RULE #4: Don't hold back on your emotions. I've mentioned in an earlier post about how I like to repeat my words out loud to create a natural dialogue or to make sure what I write makes sense. You'd be surprised how much I'm affected by some scenes. I'll cry with my character or seek revenge on the antagonist for hurting her pride. Ex: “I do worry about your welfare, you know.” She didn’t remove her eyes from the window in fear of seeing the anger on his face. “Lurkers hide often in the shadows.”

RULE #5: Begin and end your story with a bang (literally or figuratively). Many published novelists will tell you that in order to hook an editor or agent, your first chapter has to stand out. Allow your first impression to express how much you love what you do. Ex. (from my prologue): The shot rang through Fonthill Abbey like thunder rolling over the hills. The smoking pistol clattered to the floor. William Kendall slumped over.

As you can probably see, anyone can write with passion. Genre does not prejudice against well-written words. Remember this as you write.
(BTW, all writing examples are from my work in progress, The Earl's Son. Enjoy!)
Do you have another rule you'd like to share with everyone? Please feel free to leave a comment below.



Happy writing!
Diva J.
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6 Writing Tips For Success

As writers, we need all the help we can get. The easier the access we have to materials that assist in learning our craft, the better. I love writing advice from other authors, especially best-selling ones like Stephen King or...


Here are John Steinbeck's Writing Tips:

1. Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.
I love the motivational tools writers use against writer's block. All this NANOWRIMO and #1khr stuff is just pressure. I'm a big advocate for writing every day. I don't really care how much, just do it!

2. Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.
Someone also wrote a book about this. Although, I am a perfectionist, I will admit backtracking to fix every problem in the manuscript is my greatest excuse for not actually writing new material. Sometimes, I use it to get something done when the muse is out to lunch. Flow is something you should treasure when you write. It helps you to keep pace and tell your story. 

3. Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
It's true. I have the worst stage fright ever. I used to sing in chorus when I was in school, but when we performed in front of our audiences everything we learned in the year, I couldn't help but feel an immense trepidation. My knees wobbled, and I couldn't relax. Then I'd focus on my dad. They say in Broadway, in order to avoid butterflies, it is good to focus on a beam in the roof or some object in the far off distance. This works great. To me, my dad was the only one in the audience when I performed and I was able to relax more. I love all my readers, but when I write, I think about one person, so I don't clam up.

4. If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.
Throughout the writing community, the general rule of thumb is to cut 10% from your novel when you revise. It's more like an average then a rule though. Sometimes, you just can't leave certain things there. In addition to not revising while you write, it's good not to remain riveted on the same scene or section. Especially if already written. You might change your mind when you go back for revision later.

5. Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.
Okay. This one is very hard for me to follow, but it's happened before. I am a writer with a closet ego. (Aren't we all?) Our work is very special to us. We covet it like junk food sometimes. There are scenes that I cannot simply delete, because they sound so perfect, but I know they have nothing to do with the plot. Writing romance, I tend to write great dialogue between the h/H, but the beautiful admissions of love come at the wrong time in the manuscript or they do not further the story. I've cut plenty of good material, but I always save it (just for kicks) in a separate file called 'deleted scenes'.

6. If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.
Another tip I take personally. If you were to set up a video camera with sound in my office, you'd record every tantalizing reenactment of my manuscript spoken in my words. I know how my characters feel and interact with each other. I read each dialogue like I'm acting a part in a movie. If they don't sound natural, it's easier to catch the differences this way, and I know how to fix the problem. Even as I write this blog, I'm repeating it out loud.


I hope you found these tips helpful. If you have anymore you'd like to share, please feel free to tell me in a comment below.
Thank you for being a reader.




As always, Happy Writing!
-Diva J.

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What Does The Word Mean Literally?

I've heard many people talk about the importance of words in a novel. The way we write them in determines their meaning and could add emphasis to the message we convey. Some writers, especially those who like history, would never let an 'okay' slip from their characters or allow them to respond with an 'awesome'. I know I certainly try not to.

I've always had a fascination with the English language. One of my dreams growing up was to go to college and get a degree in the subject. Every time I am interested in something, I don't stop finding out as much as I can about it. I guess you can say I endeavor to persevere.


Today, I wanted to show you ten words that have changed meaning over the years.

1) Decimate - The original meaning was "to reduce by one-tenth", now it means "to destroy a great number of". Ex: The population was decimated by a plague.
2) Disinterested - This word used to mean "not interested", now it means "not influenced". Ex: ...a disinterested decision by the referee.
3) Enormity - Some know it as "outrageous or heinous character", now people refer to it as "greatness of size, scope, extent, or influence". Ex: The enormity of such an act of generosity is staggering.
4) Fortuitous - It used to mean "occurring by chance", but now means "lucky". Ex: ...a series of fortuitous events that advanced her career.
5) Fulsome - Which used to mean "abundant, generous, full", but now means "disgusting; sickening; repulsive". Ex: ...a table heaped with fulsome mounds of greasy foods.
6) Ironic - Which used to mean "counter to expectations or what is appropriate", but now means "coincidental". Ex: It was ironic that I was seated next to my ex-husband at the dinner.
7) Literally - It used to be confused with "figuratively", but now it is used "in the literal or strict sense". Ex: What does the word mean literally?
8) Notorious - It originally meant "widely and unfavorably known", but now people use "infamy". Ex: An infamous gambler.
9) Peruse - Which used to mean "to use thoroughly", now it means "to read through with thoroughness or care." Ex: ...to peruse a report.
10) Plethora - Its original meaning was "overabundance; excess", but now it means "abundance". Ex: ...a plethora of advice and a paucity of assistance.
(Words found on Daily Writing Tips and in the Dictionary.)

Of course, all these words are listed in the dictionary with both meanings, but when it's spoken in modern-day conversation, you'll better understand their relation to the sentence in which it's used.

"When an idea is wanting, a word can always be found to take its place." 
- Johann Wolfgang von Goethe

Do you know any words that have changed their meanings? I'd love to know your thoughts in a comment below.



Happy writing!
-Diva J.

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My Top 5 Watched Movies For Research

As you all know, I write historical romance. Although, I've written about the Regency era, I prefer the Victorian era. The fact women became more empowered definitely helped. As you can probably tell, I like change in my novels. Anyways, below I'm listing the movies (or TV-based shows) that I've watched on more than five occasions for use in research. I'm one of those multi-tasking writers, where I have to play a movie or music while putting words to paper. If I don't, let's just say I can't concentrate. It's one of those habits from my school days. I used to lay on my bed listening to CDs while I completed my homework every day. And yes, I did my homework before doing anything else. My dad set very strict rules about school. 

Anyways, here is the list:
North & South (2004):
In this adaptation from Elizabeth Gaskell's novel set during the Victorian Industrial Revolution, Margaret Hale is forced to move to Milton, which is in the north. She takes offense to the people, and most of the time she does not agree with the handsome textile manager's, Mr. Thornton's, views. Although their difference in beliefs overwhelm them, there is a chemistry that ignites their passion.

In my opinion, this story is timeless. So much happens in the character's minds and through their actions. If they never spoke another word, I'd be unhappy, but I'd know what they were feeling. I love watching this and using it's techniques in my own story. Not only is the setting Victorian (which works for The Earl's Son's time-period), but  I could watch this movie over and over again without getting tired of it.

Wuthering Heights (2009):
Given the choice between a life of comfort (with Edgar Linton) and a profound love (with Heathcliff), Cathy's actions have repercussions for multiple generations in this haunting story of turbulent passion and revenge.

In my opinion, ever since I read this book in high school, it's become a wonderful influence. I love Gothic romance. I think writers can learn from writing tragic love affairs. Just look at Shakespeare. We love our readers to feel emotion when they read our books. If they don't have the ultimate experience, then what is the point? Oh, and I bet you didn't know that I'm reputed for my "beautiful landscapes, passionate romance, and regrets of the past".


Jane Eyre (2006):

After taking on a governess position in the home of a mysterious man, the orphan Jane Eyre must learn the truth in order to gain his acceptance. Mr. Rochester does not take wish to tell his secrets, but unlikely events pull them together. 

In my opinion, I absolutely loved this book growing up. Not only has the 'mysterious man' approach shown up in my books, but the intrigue is too much to ignore. Jane's life didn't not start out great, nor is she the most beautiful woman around, but until you meet someone like Mr. Rochester and have a love so great no one can come in between, you realize nothing else matters but love. Love inspires me greatly.


Cranford (2007):
In the 1840s, Cranford is ruled by the ladies. They adore good gossip; and romance and change is in the air, as the unwelcome grasp of the Industrial Revolution rapidly approaches their beloved rural market-town.

In my opinion, this movie is full of witty dialogue, and shows the social life women led in the time before the Industrial Revolution. The acting is superb. I absolutely love the inclusion of piano playing and singing. Not to mention, they perform great songs.


Persuasion (2007):

Royal Navy captain Wentworth was haughtily turned down eight years ago as suitor of pompous baronet Sir Walter Elliot's daughter Anne, despite true love. Now he visits their former seaside country estate, rented by his brother-in-law, admiral Croft, so the financially stressed baronet can afford a fashionable, cheaper residence in trendy Bath. First the former lovers meet again on the estate, where they feel vibes again, but neither dares admit them until it seems too late.

In my opinion, this is my favorite Jane Austen movie adaptation. I loved Pride & Prejudice, but in no ways are the character's emotions unspoken. I think Anne is a sweet lady, caught up in circumstance, and Wentworth is not only handsome, but worth the wait. For anyone who ever had to love someone from afar (ME!!!), then this is the movie for you.




Yes, all these movies involve romance, intrigue, mystery, passion, music, great dialogue, and unspoken desire. I will probably end up watching them more times than I can count. Oh, and did I fail to mention my obsession with Celtic Thunder? :)

Thank you so much for reading. Please feel free to share your favorite movies and music in a comment below. I'll look forward to reading them.


Happy writing!
-Diva J.

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When Characters Come Alive

So, I have a woman in my mind who wants me to write about her. She is from the Regency era and her name is Anne. I know it sounds cliche, but this is how all my novels start. I can't get characters out of my mind, then I write about them. I currently have two works in progress, dozens of novel ideas, too, but when I can't even sleep due to these ideas clouding my head, I don't know what else to do then put them on paper. Usually when I write it down, the character leaves me alone, until the next scene does the same thing. These characters feel like real people. They have emotions, aspects, and personalities. Each one tells me how they want to be remembered, and it's what I write about. I feel like each one is an aspect of me from a past life or experience.

There is a muse urging me every step of the way. Some days, my work in progress does not seem very appealing. Sometimes I'd rather read or write other ideas somewhere else.

Do you ever have a larger than life experience when you write? Like some unknown force is providing you with the information? Does your book literally feel like it's about to give you a hug after you write it? I know it sounds funny, but writing is not a passion for nothing.

There are times when I wish I could pen out a manuscript in a month. The reality is it takes me much longer than that to finish a novel. I think it's because of my writing style and just who I am. I take my time in all things. I'm patient. Oh, and did I mention I'm a perfectionist. One of these days I'll develop a writing rhythm, and words will pour from me like water hurdling down a waterfall.

All good things come in time. I'm a firm believer in this idealism.




Thank you for reading and supporting me through buying my book, To Love An Irishman.
Happy writing!
-Diva J.

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My Internet Lifestyle

Okay. I admit it. Distraction is my own worst enemy. I don't think I could go a day without checking Facebook or Twitter. I know you're not the only one. Social media is contagious. I mean we tweet about EVERYTHING that happens in our lives. It's what people want to read right now.


Well, we no longer have two contenders for our time. Along with Twitter and Facebook, there is a growing number of people joining Google+, LinkedIn, and you guessed it, Pinterest. Did you know that Pinterest is the leading site for women? We make up over 80% of all users.

Pinterest was started in 2010 and is an online bulletin board used to visually share information.

Okay. As writers, we sell a lot of books based on what our covers look like, right? Well what if you want to show people what inspired the characters, or the setting? I created a bulletin board based on my latest release. It's a visual walk-through of the book.

I'm also using a bulletin board right now to plan my wedding. I post pictures of wedding dresses I like, locations I want to get married at, and everything in between. My friends and family give me feedback on what I'm pinning.

I think most people don't like Pinterest, because it's slowly taking away the prestige Facebook and Twitter offers. We spend so much time on there as it is adding friends, updating content, following people, etc. When a new social media outlet steps in, we have to start from scratch. Another reason why people don't like it, is because it takes away the written word. Of course, you can always write long captions to explain what the pictures mean. I've had many people 'like' my photos and place quotes underneath them. Young people love visually stimulating material. Sometimes the only way to influence someone is to show them.

For me, Pinterest is just another way to waste my time. At least, the pictures are pretty. :)
I know I've asked this before, but what is your favorite social media tool?



Happy writing!
-Diva J.

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My interview with Ciaran O'Devlin


I've known Mr. O'Devlin for over a year now. I think I know as much as I can about him, but what he says might surprise you.
We sat down last Wednesday to talk and this is what he revealed...

Diva: Mr. O'Devlin, I feel like it was just yesterday when I met you. How are you doing?
Ciaran: Quite frankly, Miss Jefferson, I feel like everything I've known has turned upside down. (He laughs.) I'm well, thank you.
Diva: Anyways, no use putting it off. Where were you born?
Ciaran: (His dimpled smile was very captivating.) Altmore, County Tyrone, Ireland.
Diva: (I smile in return) What do you do for a living?
Ciaran: I work. (His black hair moves with the shake of his head.) I spend me life farming the land.
Diva: Sounds...well, you know...
Ciaran: (Another laugh.) I admit work on a farm is not craic at all. I should change that. Got a pint?
Diva: Unfortunately, no, I need you to be sober for at least another thirty minutes. (He shrugged before I continued.) Tell me about your parents. How well did you get along with them?
Ciaran: They were grand people. I remember their voices, 'tis all. (He bowed his head towards the ground.)
Diva: How many siblings do you have? Older? Younger?
Ciaran: Two. (His head stayed.) One older, Eonan, an' the other younger, Solas. My two sisters died soon after me parents.
Diva: (I knew I hit a hard spot, so I asked something else.) What were you afraid of when you were a child?
Ciaran: (He lifted his head.) Losing the farm. Miss Jefferson, the farm was the last thing I had left o' me parents.
Diva: I know, Mr. O'Devlin. I think you did a wonderful job overcoming your obstacles. (I paused a moment to allow him to collect himself. He nodded and I continued.) What makes you happy now?
Ciaran: I will truly say me wife, Aveline. (His voice lowered.) Without her, I missed the meaning o' life. I took everything for granted.
Diva: What would you change about yourself if you could, Mr. O'Devlin?
Ciaran: I really am stubborn, you know. (He tapped his head, mussing the hair under his flat cap.) Maybe I should start over without such a hard head.
Diva: (I laughed despite myself and he joined. I waited until our laughter died before continuing.) What is it that you have never told anyone? I love hearing people's deep dark secrets.
Ciaran: (He moved closer and stared into my eyes.) If I told you, I'd have to kill you.
(I knew then and there that Ciaran O'Devlin's deepest secret was his undying love for me.
Okay, maybe I lied. Or wished more than anything.)
Ciaran: No, Miss Jefferson, I don't mean it. (He moved backwards and planted himself in the nearest chair.) When I saw Aveline eavesdropping on me the first day we met, I thought I saw me mother in her eyes an' I wished more than anything to spend me life with her.
Diva: Thank you so much, Mr. O'Devlin, from taking the time to answer these questions for me. I know how hard it can be to leave a busy life behind for such a cause. Your family is forever in my hopes and prayers. Good luck in the future, sir.
Ciaran: (He smiled warmly.) May your home be filled with laughter. May your pockets be filled with gold. And may you have all the happiness your Irish heart can hold. (Then he quit the room.)
(I stared after him for a good while. He was definitely one of a kind.)





Happy Writing!



-Diva J.

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